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But, this time around, the very nature of artistic collaboration comes under intense dramatic scrutiny, even as Nance develops an in-depth, visionary, and speculative exploration of Black life in the United States-and the results are as exuberantly imaginative as his earlier work. Season 2 is no less collaborative than the first season-Nance directs only the first of the four episodes I’ve seen (there are six in total), and he’s the head writer (with Jamund Washington) of a raft of credited writers. The second season of “Random Acts” has a similarly intimate and intricate narrative framework, involving the personal and professional relationship of a filmmaker and musician named Terence Nance (played by Nance) and a video-game creator named Najja Freeman (Alicia Pilgrim). While extending his exploration of Black American life, Nance also expands the premise of his first (and, to date, only) feature film, “An Oversimplification of Her Beauty,” from 2012, which is a personal, romantic, and metafictional drama told in the first person, or, rather, in two first persons-by himself and by his real-life former partner-with a teeming array of formats and styles.

The new season, the first two episodes of which air Friday, is different.

In the first season of Terence Nance’s HBO series “Random Acts of Flyness,” from 2018, he makes use of the episodic nature of serial television to do what a narrative feature film can’t: by collaborating with other writers and directors, he creates a work of collective imagination that’s a vast collage of Black American experience.

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